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Charke, Charlotte (1713 - 1760)

Last edited by Irene_Fernandez_Saez on Dec. 5, 2024, 2:44 p.m.
Short name Charke, Charlotte
VIAF http://viaf.org/viaf/34689258
First name Charlotte
Birth name Charke
Married name
Date of birth 1713
Date of death 1760
Flourishing -
Sex Female
Place of birth -
Place of death -
Lived in England
Place of residence notes
Mother
Father
Children
Religion / ideology
Education
Aristocratic title -
Professional or ecclesiastical title -
Charke, Charlotte was ...
Profession(s)
Memberships
Place(s) of Residence England
Author of
receptions circulations
The Art of Management, or Tragedy Expell'd (1753) 0 0
A Narrative of the Life of Charlotte Charke (1755) 0 0
The Mercer, or fatal extravagance (1755) 0 0
The History of Henry Dumont Esq and Miss Charlotte Evelyn (1756) 0 0
*Lover's treat unnatural hatred (1758) 0 0
The Lover's treat, or Unnatural Hatred (1758) 0 0

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Circulations of Charke, Charlotte, the person (for circulations of her works, see under each individual Work)
Title Date Type

Receptions of Charke, Charlotte, the person

For receptions of her works, see under each individual Work.

Title Author Date Type

Morgan, Fidelis. The Well Known Trouble Maker: A Life of Charlotte Charke. London: Faber and Faber, 1988.

Daughter of the actor-manager, poet laureate Colley Cibber. She married violinist Richard Charke, but the marriage failed. She worked in Henry Fielding's rival theatre company and ridiculed her father. The Fielding companies exploits led in great part to the 1737 Theatre Licensing Act, which was to plague Charke's subsequent career. She set up many evasive ways of putting on plays without a license, but was frequently driven from London by debt. She married twice and traveled the country disguised as Mr Brown with her 'wife', Mrs Brown. She died age 47 in utter poverty in 1760.
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Lived in Middlesex, Hertfordshire.
Well educated. Learning foreign languages: Latin, Italian. Academic studies.
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Actress, playwright, novelist, theatre manager, pupeteer,and sausage seller. Her career started at the top and went downhill ever after. Her inventive evasions of the 1737 Theatre Acts kept her working as a puppeteer who did Shakepeare and later as an itinerant player in the regions. Her books and plays deal mainly with the things which infuriated her: injustice, the overbearing nature of patriarchs and the unfairness of family life. travel travestie.

Connections to:
- poet/ actor manager/ play writer, Colley Cibber (her father)
- Violinist, Richard Charke( her husband)